s y n e c d o c h e  
  s    t    u    d    i    o           p h o t o g r a p h s   b y  K i m  K a u f f m a n
     





 

Blue Clematis photograph by photographer Kim Kauffman Tulip and Swan Feathers photograph by photographer Kim Kauffman Passion Flower by Kim Kauffman from the Florilegium Series
Cosmos photograph by photographer Kim Kauffman Serpent-Garlic-Feathers-Moth-Wings photograph by photographer Kim Kauffman
Dahlia and Wasps Nest photograph by photographer Kim Kauffman Pitcher Plant Philodendron-and-Witch-Hazel Clematis and magnolia eaves by kim kauffman fron the Florilegium Series
Faded Amaryliss photograph by photographer Kim Kauffman Philodendron and Witch Hazel photograph by photographer Kim Kauffman
Kale & Tulip photograph by photographer Kim Kauffman Orchids photograph by photographer Kim Kauffman Fading Roses by Kim Kauffman from the Florilegium Series
Night Blooming Cereus photograph by photographer Kim Kauffman Shell and Hosta photograph by photographer Kim Kauffman

f  l  o  r  i  l  e  g  i  u  m , volume 6 

an anthology, a collection of flowers; Latin florilegus - flower culling, flora - flower + legere - gather

I have included plants, flowers and gardens in my photographs for many years. My approach has evolved as my interest in gardening has grown. I have come to realize that the skills I bring to imagemaking and gardening are different sides of the same coin - working with color, texture, rhythm, drama. Both endeavors are interwoven for me. They are different expressions of the same dialog about my place in the natural world.

Florilegium's images are filled with leaves, flowers and seed pods I have collected from gardens. Many are past their prime but are of interest precisely for that reason - they possess a subtle beauty that plants in full bloom do not. I show plants in various stages of growth and senescence, layering textures and images to create an intricate visual environment.These techniques let me most fully express my experience of gardens.

This ongoing body of work explores the cameraless and filmless image technique that I have been working with since 1998. Cameraless images are as old as the photographic medium itself. Mine contribute to a tradition of botanical subject matter begun with Henry Fox Talbot's Photogenic drawings of plant materials (ca.1830's) and Anna Atkin's cameraless botanical studies of British Algae (ca.1843).

 
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